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Victorian Faces #13 oil on ply, acrylic ground 12.7 x 12.7 cm / 5 x 5 in. |
Victorian Faces # 13
Victorian Faces #12
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Victorian Faces #12 oil on ply, acrylic ground 12.7 x 12.7 cm/ 5 x 5 in |
Once again I used back, white and Van Dyke brown for my pigments. Van Dyke brown is a warm brown that works well to give a bit of colour to the portraits. It has an interesting grainy texture. At first I thought it was the old tube I had, then purchased a new one and found it the same.
Towards Pender
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Towards Pender Island oil on linen, traditional gesso ground 15.3 x 15.3 cm/ 6 x6 in $100 (SOLD) |
Late afternoon sun warms up the landscape on a cool spring afternoon.
The view from here is over Captain's Passage towards Otter Bay on Pender Island. 41 years ago in cold January I honeymooned near there not dreaming I would live so close a few years later!
Late Summer Sunrise
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Late Summer Sunrise oil on ply, acrylic ground 15.3 x 15.3 cm/ 6 x 6 in. $100. |
Contact me to purchase this painting
Coppermine Point
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Coppermine Point, Ruckle Park
oil on mdf, acrylic ground
13.5 x 19.5 cm/ 5 3/8 x 7 5/8 in.
$100.
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Today is pouring very cold rain with snow at higher levels so it is nice to recall a walk in Ruckle Park. Here I am looking back to Coppermine Point from King's Cove. Again the colours are not quite correct on my monitor and I will replace when I able to scan the painting.
(updated photo!)
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Historical Faces #11
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Historical Faces # 11 oil on ply, acrylic ground 12.7 x 12.7 cm/ 5 x 5 in |
I used ivory black, titanium white burnt umber and van dyke brown for this portrait. My references are changing and no longer all "Victorian".
Stormy Sky
Stormy Sky oil on mdf panel, acrylic ground 19.5 x 13.5 cm/ 5 3/8 x 7 5/8 in $100. |
Before Sunrise
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Before Sunrise 15.3 x 20.3 cm /6 x 8 in oil on ply, acrylic ground $100. |
Please Contact me to purchase this painting
Autumn Alders
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Autumn Alders oil on mdf, acrylic ground 13.5 x 19,5 cm/ 5 3/8 x 7 5/8 in $100. |
Please Contact me to purchase this painting
Tree at Kings Cove
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Tree at Kings Cove oil on ply, acrylic ground 15.3 x 20.3 cm/ 6 x 8 in. $100. |
New Year's Day we usually take a walk in Ruckle Provincial Park on Salt Spring Island, B.C. as do many others. It seems to be a tradition. There are many trails and one year we walked along the shore intending to get to Yeo Point. Well it was a longer hike than we realized so that day we turned inland at King's Cove and took the trail back through the forest around the outside of the dedicated farmland that is part of the park. Our walk took us from point 1 on the map, to point 3, then 5, 8, 9, 10 and back down the road to the parking area at point 1.
Click to enlarge |
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Victorian Face #10
Book Day
“But above all, there lies a country fresh from the dawn, pulsating with life and colour, just awaiting the painter’s brush.”
-Betty McNaught
My lastest book find is Euphemia McNaught/Pioneer Artist of the Peace by Isabel Perry. There are so many Canadian artists to learn about especially women artists who are largely unrecognised. Euphemia McNaught had studied at Ontario College of Artin Toronto with Group of Seven members Arthur Lismer, J.E.H. MacDonald and others. Euphemia ( known as Betty) became a highly regarded artist from the Peace region of Alberta. I was thrilled to find the book and learn more about her and her art. The book has some great historical and biographical information about her life and wonderful colour reproductions of her art. I am not sure what paintings are not under copyright so have not reproduced any here, just the front cover of the book. There are many images online but not being sure of copyright issues I have not reproduced any from the book.
There is a fair bit of information on the web about Euphemia McNaught and the McNaught Homestead and its preservation. A place to visit no doubt!
-Betty McNaught
My lastest book find is Euphemia McNaught/Pioneer Artist of the Peace by Isabel Perry. There are so many Canadian artists to learn about especially women artists who are largely unrecognised. Euphemia McNaught had studied at Ontario College of Artin Toronto with Group of Seven members Arthur Lismer, J.E.H. MacDonald and others. Euphemia ( known as Betty) became a highly regarded artist from the Peace region of Alberta. I was thrilled to find the book and learn more about her and her art. The book has some great historical and biographical information about her life and wonderful colour reproductions of her art. I am not sure what paintings are not under copyright so have not reproduced any here, just the front cover of the book. There are many images online but not being sure of copyright issues I have not reproduced any from the book.
There is a fair bit of information on the web about Euphemia McNaught and the McNaught Homestead and its preservation. A place to visit no doubt!
Summer Clouds
Summer Cloud oil on ply, acrylic ground 15.3x15.3 cm/ 6x6 in $100. |
A painting from a photo taken late on a hot summer's day at Christina Lake. The lovely high thunder clouds were floating around like heaps of cotton candy.
The internet has been down for two days due to tree trimmers cutting the main line on a section of road where the trees have been left to grow too large to be safe for the cutters and the lines. With the winter weather Salt Spring Island has been subject to this year there have been many power outages. The power and telephone lines come down due to falling trees or branches heavy with snow cracking and falling. Many people like the closeness of the tree lined roads but safety is important too.
Please Contact me to purchase this painting
Snow on the Islands
Snow on the Islands
oil on ply, acrylic ground
15.3x20.3 cm/6x8 in
Cloudy day, cold windy water, snow covered islands in the distance. From a photo taken at Beddis Beach Salt Spring Island early February mid afternoon. This year we had a fair bit of snow that lasted quite awhile.
Summer Reflections
Summer Reflections oil on plywood, acrylic ground 15.3 x 20.3 cm / 6x8 in. |
Victorian Faces # 9
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Victorian Faces #9 oil on ply, acrylic ground 12.7 x 12.7 cm/5x5 in |
Spring Sky
Spring Sky oil on canvas panel, acrylic ground 15.3 x 20.3 cm/ 6x8 in |
Tomatoes are Red Too
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Tomatoes are Red 15.3x15.3 cm / 6x6 in. oil on board, acrylic ground |
Summer Nocturne
Summer Nocturne oil on plywood, acrylic ground 15.3x15.3cm / 6x6 in |
The moon through the clouds on a summer night at Christina Lake. I couldn't resist trying to take a photo and was surprised to find it was good enough to use as a reference for painting. The next thing will be to paint en plein air with a head lamp. The February full moon it was too cold to be outside although I know there are those that do paint in all sorts of weather.
Autumn Walk
Autumn Walk Oil on ply, acrylic ground 15.3x15.3cm, 6x6 in. |
Today I did my shift at a hospital auxiliary thrift shop. I am pleased to be able to give some time to this worthy cause and now that I am part of the volunteer team am in awe of how much work goes into making these amazing shops possible. I had no idea! It take so many people to manage, and run this place! So please if you are someone that donates or shops at a thrift shop be kind to the volunteers! They do this freely for you.
Beddis Beach
Beddis Beach oil on ply, acrylic ground 15.2x15.3 cm/6x6 in |
My photo reference for this was taken a few years ago on a September morning at Beddis Beach, Salt Spring Island. It could have been the other day. The morning was was so grey with the reflections on the water typical on a stormy morning. The water is grey, the sky is grey with hints of the blue sky behind and a blush of pink from the sun somewhere behind the clouds. With the high wind and pouring rain today I wasn't going to attempt any plein air painting yet. ;)
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Lilies oil on ply, acrylic ground 15.3x15.3 cm/ 6x6 in |
On another note I took a beautiful snow walk today before the rain comes again. I have been avoiding it because I don't have snow boots on the island, only gum boots and the roads are slippery. Well I was doing quite well, but just before the beach I guess I was just a little too confident and down I went. No harm done excepting a bruised hip and slightly sore wrist. The snowfall continues!
#262 Peaceful
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Peaceful oil on linen prepped with traditional gesso 15.3x15.3 cm / 6 x6 in. |
#261 Storm Brewing
With the snow causing havoc on the roads I haven't gone out anywhere for days. The west coast islands are usually known as the Wet Coast, but not this frozen sort in February. I don't mind, it is giving me a lot more concentrated painting time. I have been working from my reference photos of the summer skies, which are bright with blues and puffy clouds or spectacular sunrises and sunsets. The skies out there right now are a pretty uniform grey.
This another late August sunset with clouds gathering in a threatening manner. It was probably all clear by morning.
This another late August sunset with clouds gathering in a threatening manner. It was probably all clear by morning.
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Storm Brewing oil on acrylic ground on ply 15.3 x 20.3 cm/ 6 x 8 in (click to enlarge) |
#260 Sky on Fire
Last summer I painted a few skies en plein air at the cottage at Christina Lake and at different times of the day. I posted those last fall. There were so many beautiful skies and clouds and I took lots of photos for painting reference. The memories of the beautiful warm summer days and evenings are great right now while it is snowing out!
I painted this from a photo taken of a late August sunset. A low storm was approaching from the south bringing smoke laden clouds from wildfires farther to the south. The colours were amazing and trying to capture a sense of the drama is a challenge.
I painted this from a photo taken of a late August sunset. A low storm was approaching from the south bringing smoke laden clouds from wildfires farther to the south. The colours were amazing and trying to capture a sense of the drama is a challenge.
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Sky on Fire oil on acrylic ground on plywood 15.3x15.3 cm/6x6 in. |
Victorian Faces #8
Victorian Faces #7
12.7x12.7 cm, 5x5 in.
oil on acrilic gessoed plywood
This one was painted using black, white on a yellow ground. All my Victorian Faces postings are out of order. This was the 5th one I painted Sept. 22, 2016 and # 241 of the total. Something I have realized about myself and posting paintings - I like to let them sit awhile before I decide if they are done. I take a photo and find a glaring error so like to fix as much as possible. Perhaps I shouldn't number them until I am really finished. But then I forget to number them at all. Of course they are never perfect and if one keeps tweaking which invariably ruins the painting and the initial idea gets lost in too many "fixes". Hopefully as my brushwork develops I will like the first results better.
The colour reproduction on this one isn't quite right - it isn't really quite that dark and I don't seem to be able to adjust the balance properly. This is a scanned painting and usually they come out very well.
Throw-back Thursday
I like the idea of Throw-back Thursday. I would like to recover past posts from disappeared blogs and re-create an online painting archive.
In the autumn of 2013 I took up a 30 in 30 painting challenge for the first time. I don't think I managed all 30 days, but it was still a great exercise.
This was the first day, painting from life, set up outside in the fresh air. I can recall very clearly painting this - the difficulties with paints and colour and why didn't it look like what I had envisioned, etc. etc. In the end I loved it and still do. I was thrilled someone else liked it enough to buy it. I hope they still do!
In the autumn of 2013 I took up a 30 in 30 painting challenge for the first time. I don't think I managed all 30 days, but it was still a great exercise.
This was the first day, painting from life, set up outside in the fresh air. I can recall very clearly painting this - the difficulties with paints and colour and why didn't it look like what I had envisioned, etc. etc. In the end I loved it and still do. I was thrilled someone else liked it enough to buy it. I hope they still do!
Soldoil on board 15.3x15.3cm, 6x6" |
#255 Red-Orange & Blue-Green
Finally! I am cold free and have the energy for painting again. That was one nasty cold and I hope that is the last for the season.
Still life painting seemed a good way to exercise the brushes again after so long away. I painted and scraped quite a number over the last week. When I then decided to look at the Daily Paintworks site Weekly Challenge I found the Complementary Colours Challenge and as there were fresh tomatoes a few were nabbed for the studio. (hothouse of course at this time of year for B,C,). There are so many reds and hothouse tomatoes are never the luscious colour of summer garden tomatoes. These were an red-orange. I compared them to a colour wheel and came up with a green-blue complement. Luckily I had a backdrop of a similar green-blue.
Last year I decided to have a look at my paintings and counted up what I done. I had lists of the ones sold and unsold and the ones that I have kept as a marker of my progress. There were many scrapped that didn't make the count. Anyway I came up with a number and and this is #255. Doesn't seem like a lot in the scheme of things.
Still life painting seemed a good way to exercise the brushes again after so long away. I painted and scraped quite a number over the last week. When I then decided to look at the Daily Paintworks site Weekly Challenge I found the Complementary Colours Challenge and as there were fresh tomatoes a few were nabbed for the studio. (hothouse of course at this time of year for B,C,). There are so many reds and hothouse tomatoes are never the luscious colour of summer garden tomatoes. These were an red-orange. I compared them to a colour wheel and came up with a green-blue complement. Luckily I had a backdrop of a similar green-blue.
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Red-Orange & Blue-Green 15.3 x 15.3 cm/ 6x6in. oil on acrylic gessoed canvas on ply |
Lost - Days 3, 4 , 5
2013 30in30 5x7 oil on canvas board (Sold) |
Victorian Faces #7
Day 2 of the 30 in 30 Painting Challenge
This canvas pad was very rough even with extra gesso applied. I found it difficult to paint the smaller details with any accurancy because the brush skipped over the rough surface. Will move on to smoother panels I think.
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Victorian Faces #7 5x5", 12.7x12.7cm oil on canvas, acrylic ground |
Quince
Quince 1 6x6", 15.3x 15.3 cm oil on canvas panel (acrylic gesso ) |
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